Discover all about How To Sing In Mixed Voice – How To Mix Head And Chest Voice (How To Throat Sing) by reading the article below, and if you want to know more about learning how to sing then follow this link by clicking here How To Sing In Mixed Voice – How To Mix Head And Chest Voice (How To Throat Sing).
— How to sing in mixed voice – How to mix head and chest voice (How to throat sing)
The majority of classically trained singers working in theater & Broadway have a natural, pure, rich & full head voice. Many female singers as well- despite whether they maybe classical or commercial singer have a singing voice that has a tendency to weigh down towards the head voice.
For female classical singers, this is an advantage but for a commercial & contemporary female singer- the head voice development by itself is not enough. She must develop both the chest voice & mix voice. To make a singer’s voice more suitable to commercial singing, the chest voice must be first developed. The chest voice is the foundation of the human voice. Without a strong chest voice, the rest of the voice will not be strong, rather shaky.
There is a lot of hostility towards the chest voice- “It’s harsh, rash and not suitable for singing”. The chest register is the basic starting fundamental of the human voice. It’s the voice you use to speak: It is exactly like speaking, except that the vowels are sustained- which creates “singing”.
To move into mix, a strongly developed chest voice is required. After that, a singer should master compressing the vocal cords as they sing higher in chest voice and a break approaches- which leads towards falsetto. Compressing the vocal cords, will lead towards head voice. Once mastery of compression is set, the singer will then want to start find the path towards their mix.
Once they have found their mix, they need to make a strong technical foundation on all parts of the voice, which would allow them to sing with greater loudness, resonance & for longer periods of time. But what if you’re a classical singer-why would you want to develop chest voice & mix voice? The problem with most classical singers is that their rigidness will even be carried forward unconsciously in their songwriting as well- which ultimately affects their style & uniqueness.
Once singers learn to develop ALL areas of the voice, the fullness in the voice- will also begin to transfer over to the songwriting & genre style. This will allow a singer to become a lot more marketable in the music industry for commercial music inside of a niche market.
One of the greatest pieces of wisdom ever learned is that learning another skill, talent or knowledge- which may be perceived to be only applicable or beneficial in one area- can actually be beneficial & applicable towards something perceived to have nothing in common.
The concluding point?
The mix & chest are all very important for every singer. The benefits of the mix includes
1) Having an easy posture while singing without the use of unbalanced cord compression or air flow. 2) More freedom as an artist. 3) A much healthier & balanced singing voice that is capable of so much more.
Do yourself a favor & start developing your chest voice & mix voice…Now!
Learning how to throat sing would involve the manipulation of the throat and mouth to bring about harmonic undertones and overtones of natural voices which are similar to growls or whistles. Some tactics exist that are involved in producing voice undertones and overtones. High overtones or whistles are caused as you shape your lips and tongue to improve the resonance of particular overtones that happen naturally with your voice. Singing in undertones can be done by producing standing waves within the throat as you slowly blow air through your ventricular vocal folds. You can quietly mimic a creaking door to feel this happen.
When learning how to throat sing, you can have high, medium or low tones. The secret would lie in our breathing. There is no way you can reach total voice complexity until you completely understand all of the subtleties and complexities of your own breath. After establishing this flow in breath, nothing will be able interfere with the sounds. There are only two things that can move to change your harmonics: your lips or your tongue. Therefore, the minute you have placed your instrument, the sound should simply flow out of you. These are the things you can discover with your personal instrument.
When it comes to breathing and learning how to throat sing, you will need to have a straight spine for proper posture. Without good posture, your tones will get thrown off. Make sure neck has a natural and relaxed position before relaxing your stomach muscles to let your diaphragm do the work. Inhaling is highly essential when learning how to throat sing. As much as possible, you should breathe through your nose.