How to sing If I needed someone Beatles vocal harmony breakdown

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How to sing If I needed someone by The Beatles harmony breakdown. This video demonstrates a breakdown of the different vocal harmonies The Beatles performed in George Harrison’s song “If I needed someone” from the Rubber soul album of the 1965.

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If I needed someone to love
You’re the one that I’d be thinking of
If I needed someone

If I had some more time to spend
Then I guess I’d be with you my friend
If I needed someone
Had you come some other day
Then it might not have been like this
But you see now I’m too much in love

Carve your number on my wall
And maybe you will get a call from me
If I needed someone
Ah, ah, ah, ah

If I had some more time to spend
Then I guess I’d be with you my friend
If I needed someone
Had you come some other day
Then it might not have been like this
But you see now I’m too much in love

Carve your number on my wall
And maybe you will get a call from me
If I needed someone
Ah, ah

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41 thoughts on “How to sing If I needed someone Beatles vocal harmony breakdown

  1. DigimonDragonballfan says:

    Nice harmony tutorial as always! Could you please do harmonies for Tell Me
    Why?

  2. Another win!! Our band thinks your are the best! The Beat 64

  3. Haran Banjo says:

    Paul always better range voice!!!

  4. MrSahansdal says:

    Galeazzo, I always felt George got short shrift. He could write! And he had
    a luscious voice. I think the timbre of his voice is what made their vocals
    so good. Do you know Tim Riley’s book, “Tell me why”?

  5. Kevin Freyenhagen says:

    Very good as usual. Could you please do a vocal video for Good Day
    Sunshine???? Thanks!!

  6. The Beatles Vocal Harmony says:

    In fact his timbre is always characterising the harmonies and very
    distinguible.

  7. MrSahansdal says:

    Galeazzo, It’s on Amazon, but there is another one by Walter Everett, “The
    Beatles as Musicians”, that gets much better reviews. You need musical
    experience to fully follow that one, they say (2 vols.): I just watched
    your video on “Help!”, and really like your detailed observations like
    lingering on “whennnn” to make room for John, and the bit about Paul’s
    double note picking as important to the song makeup. That sort of fine
    finish is what makes Beatles music so fascinating. Great work.

  8. MrSahansdal says:

    Who is ‘George’ in your band? I wish I could hear the Vergas. My playing
    days were over before Sgt. Pepper came out. We did the early stuff, Beatles
    and Stones. Ah, the memories. I was very young, barely a teenager (I’m 59).
    The band was called ‘the Betas’ — after the tropical fish (and ‘Beatles’,
    of course).

  9. Abbas Akbar says:

    you should do Think for Yourself

  10. You sing well, and I don’t ever reply or respond nastily to a video even if
    someone is horrible, but the only criticism is they had a scouse and you do
    not.

  11. Matias Harispe says:

    I’m waiting for “Money(that’s what I want)”

  12. Sunny21083 says:

    Me too. I am waiting for ” THINK FOR YOURSELF”.

  13. 1909bigdawg1 says:

    i would actually argue that his vocals are the hardest to hear in songs he
    is not leading. i always struggle to hear him singing because he sings so
    quietly for some reason.

  14. Great job. Very interesting way to understand how the voices runs in a
    Beatles’ song.

  15. Mike McLenison says:

    Nice job. Are you sure about Paul’s high harmony on the last 2 notes of the
    AH’s? Both notes sound the same to me on the recording.

  16. Alasdair Caveney says:

    Beautiful, mate! Thank you!

  17. jon gator says:

    4:01 sounds like 1960’s Brian Wilson. Good job by the way!

  18. cockshield says:

    If George was in any other band he would’ve definitely been the top dog.
    But fate put him in The Beatles with the 2 greatest pop music makers of all
    time.

  19. cockshield says:

    Not all the time. On Help, George’s voice really stands out there.

  20. rickenbacker40011 says:

    luscious, thats a good word

  21. nikjayway says:

    Nice video Galeazzo. For the “ahh” part at 1:32 in your video, I can also
    hear a low/deep harmony part (possibly John?). I was wondering what your
    opinion on this is. On wikipedia, it shows george martin played a
    harmonium, so it may be this I am hearing in the record. thanks

  22. There’s a cool vid on YT of Harrison teaching J&P the harmonies. Lennon
    complains that its too hard, but by the end he celebrates when he gets it.
    Fascinating, because I’d always imagined J&P polished it off with the
    harmonies, but Harrison had them all along.

  23. Curtis Robinson says:

    right on. and if you want to replicate how they did it live, in the
    AHs McCartney starts on an A and meanders down to G just like he did in the
    outro of I Want to Tell You, (…and in Japan George added the F word but
    lets not go that far)

  24. vikingfortiesfaeroes says:

    Brilliant, this is one I could never quite work out

  25. Tony Marinelli says:

    I didn’t know what to expect when I stumbled on this, but really nice job.

  26. Gene Clauson says:

    DUDE !!! pretty freakin’ good

  27. FINGA POSTA says:

    Really,really good,TY for sharing your talent.

  28. ernesto arias says:

    How ’bout “You Like Me Too Much”??? Brother Galleazo Fradua???

  29. Galleazo Fradua is an international treasure. I love these videos so much.
    Thank you.

  30. joseph raccuia says:

    In music you have either got it or you haven’t. The harmonies are very easy
    to replicate if you have the ear for music. If you don’t you may be able to
    mimic like a parrot. But someone with the ear can get it easily.

  31. Chrishanda says:

    Vocal Power – You will discover how to relax your voice in order to sing with extra confidence and power.

  32. Mark Terrell says:

    In order to sing high without straining the first principle is to learn how to sing with thin vocal folds.

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