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— How to learn singing at home – How to sing do re mi.
Do you have secret dreams of being able to produce more pleasing sounds from your mouth than only a quiet, wandering and thin voice, trying frantically to follow a melody? Don’t be discouraged if at this point in time you feel like you couldn’t ever sing a perfect melody. It doesn’t have to be a final verdict.
You are very probably not tone deaf. If you are able to listen to music and enjoy it, then that means you are not what is clinically defined as tone deaf. If you hear pitch, you are able to sing it. What it takes though, is practice and good technique.
Where do you start? Well, something you need to keep in mind as you’re trying to improve your singing voice is that singing is a lot easier when you have volume – that is, you sing loud. That’s the paradox – at first you might not have that great of a voice so you’re afraid of singing louder. But in order to get better in the first place, it is imperative that you do put more energy into it.
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Singing louder will give you courage and you will feel more self-confident. It’s a reinforcing effect. But anyway, this is one of the biggest reasons you are not hitting the notes right – not enough energy in it. Don’t be scared of letting yourself hear your own voice – that’s actually what you need!
Even the best singers get off key sometimes, as you will know if you’ve seen videos of professional artists performing really badly because their earpiece was not working. If they cannot hear themselves, they are not able to stay in key, usually.
Also, keep in mind that being able to carry a tune is not about singing the notes perfect the first time, but rather listening to whether you’re too high or too low and then correcting yourself mid-note – smoothly gliding up or down.
If You Ain’t Got the Do, Re, Mi
If you are a musician, and I bet you are if you are reading this, then you need to know the major scale and how to use it. Here’s the good news, you may already know the major scale. Most adults will be able to sing the pitches that go with these syllables: Do, Re, Mi, Fa, Sol, La, Ti, Do. That’s the major scale!
If you have a piano or keyboard, then it will be easy to learn and understand the importance of the major scale. We can play this scale by just using the white keys, by starting and ending on note C. (C is the white key directly to the left of the group of two black keys.) Play the note C, then continue to the right, playing every white key until you reach the next C key. You will have played the notes C, D, E, F, G, A, B and C. This is the C major scale.
Let’s look closely at this scale. This scale is constructed from a series of half steps and whole steps. A half step is the distance from one note to the very next note to the right or left, whether black or white. A whole step is simply two half steps. Moving to the right, or up the scale, the distance from C to D is two half steps, or a whole step. From D to E is also a whole step. E to F is a half step (no black key between), F to G is a whole, G to A is a whole, as is A to B. B to C is a half step, completing the scale.
So the formula for constructing major scales using half and whole steps is: whole, whole, half, whole, whole, whole, half. Remember this!
The Musical Alphabet
No, the musical alphabet isn’t the song you learned in kindergarten, it is simply the alphabet from A to G, which are the letter names for the musical pitches.
The musical alphabet repeats itself up and down the keyboard like this:
…A B C D E F G A B C D E F G A B C D E F G…
This is also known as the “natural scale,” meaning it uses only the white keys. Remember the whole and half steps? There is a whole step between each adjacent key, except between B and C, and E and F.
Now let’s build a major scale starting on a note other than C. We will try G first. Remember, we have to use the formula: whole, whole, half, whole, whole, whole, half.
G to A = whole step; A to B = whole; B to C = half; C to D = whole, D to E = whole, E to F = half! This is where we need to make a whole step. We will sharp F to raise it one half step to make our needed whole step, which will give us our needed half step from F# to G. The G scale has one sharp: F#.
Now let’s use the formula starting on F:
F to G = whole step; G to A = whole; A to B = whole!; Here’s where we need to flat B, lowering it one half step to make the needed half step from A to Bb. Continuing the scale: Bb to C = whole, C to D = whole, D to E = whole and E to F = half. The F major scale has one flat: Bb.
You can build the major scale of any note by following the pattern whole, whole, half, whole, whole, whole, half.