Hanggai Throat Singing Lesson 3 - Discover all about Hanggai Throat Singing Lesson 3 by reading the article below. If you want to know more about Hanggai Throat Singing Lesson 3 and learning how to sing then follow this link by clicking here Hanggai Throat Singing Lesson 3.
The next episode of Hanggai’s throat singing contest. This lesson features a new technique to get creative with.
About the author
What is this technique called? In Tuvan Khoomei there’s Borbangnadyr which is done with the lips, I think, not the tongue; and Ezengileer, which is achieved by opening and closing the nasal velum. This here is a rhythmic trill done with the tip of the tongue, which I like, but nobody I know ever mentioned this to be a proper technique…
杭盖乐队呼麦教学
<3 <3 <3 tks for sharing! although m not sure if females are allowed to learn it :-p
Sainkho Namtchylak 😀
Well I learned a bunch more stuff in the past year…
Ezengileer is the Tuvan technique of using the velum to close off the nasal passage.
Byrlang is when one rapidly makes a wuwuwuwu motion with one’s lips.
Borbangnadyr is similar to the technique demonstrated in the video, when you use the base or tip of your tongue to rapidly tremolo a “yuh” or “luh” sound.
I know what you mean. About the making stuff up yourself. I am most comfortable in a baritone range for fundamental, constricting that gives me nice harmonics and a crisp “ring” to the overtones. But I don’t keep it strictly Tuvan, I often vocalize in Irish or Scottish melodies with lips used for beat as in the practically extinct Uzlyau style of the Bashkir people. Sort of an Uzbek-Siberian-Celtic hybrid… pretty weird coming from a Teutonic Caucasian…
females can certainly produce overtones, but we have higher pitch so it doesn’t sound as badass 🙂